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I also joined various groups and did hobbies to try and mask who I really was and fit in. Coming to terms with my sexualityĪs I began to move into secondary school, the feelings that I was different grew stronger and I struggled a lot with my sexuality.ĭesperate to fit in and not be the ‘weird adopted kid’, I had girlfriends. I began to make friends at school and felt settled in my life. Younger life then began to settle into holidays, days out and the ‘normal’ family life. We were given a second chance, but my birth mum and birth dad were always in my mind. It wasn’t easy, as we both came with a lot of emotional baggage, but our new parents worked extremely hard to ensure that we spoke about our past and were a very open family with the best chance in life we could have. We met them a few times and eventually began to spend weekends and weeks with them.Įventually we moved in with them, and their two cats. When you have been passed around a lot as a child, you just think it’s another move into another home. I remember not really understanding what that meant. Some were good, healthy places and others were the type that you read about in the papers today. We continued to move through various foster parents and children’s homes. This was the last we saw of her, and I remember the pain and tears of being torn away. Very little explanation was given, but we had one hour with her to play and take photos.Īfter this time, they literally took us away and at that age, it was hard to understand why you are not allowed to see your mother again. Social services eventually decided to split us up but thankfully, this decision did not result in us losing each other.ĭuring this period, we still had supervised visits to my mother and by the age of about four or five, she had fallen pregnant again with my sister.ĭuring one of these visits, we were taken into a room before meeting our mum and told that this would be the final time we would see her. We were moved into a variety of foster homes, all with the hope that we may be eventually adopted into a new family.īecause we were two boys, it became difficult to find us adoptive parents who wanted two children. This all occurred within the first three years of my life. It was decided that she could not cope and my brother and I were taken into foster care. But the relationship broke down and I moved with my mother to London, where she became pregnant with my brother.īy this point, she was struggling to cope and had developed a strong drug and alcohol addiction, which at times, put my brother and I in dangerous situations. Andy Mangels edited issues #14 to #25 and a special issue featuring Barela Mangels changed the title to Gay Comics starting with issue #15, in part to divest it of the “underground” implications of “comix”.Įxcerpts from Gay Comix were included in a 1989 anthology titled Gay Comics.My mother was around 17 when I was born in Glasgow in 1982 and my father was roughly the same age.įor the first year of my life, we lived as a family. The first four issues were edited by Cruse issues #5 through #13 were edited by Triptow. Kitchen Sink Press published the first five issues of Gay Comix thereafter it was published by Bob Ross, publisher of the Bay Area Reporter gay newspaper. Lee Marrs and Trina Robbins, two of the original members of the Wimmen’s Comix Collective. Syndrome, Satyr, and the cover of issue #3 Robert Triptow, editor of issues #5 through 13īurton Clarke, creator of Cy Ross and the S.Q. Howard Cruse, editor of the first four issues
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Roberta Gregory, who created Dynamite Damsels (1976), the first lesbian underground serial comic book, and the character Bitchy Bitch Mary Wings, creator of the first one-off lesbian book Come Out Comix (1972) and Dyke Shorts (1976)Īlison Bechdel, who created Dykes to Watch Out For and whose graphic novel Fun Home was adapted into a Tony Award-winning Broadway musical All three editors made a deliberate effort to feature work by both women and men.Īrtists producing work for Gay Comix included
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It is generally less sexually explicit than the similarly-themed (and male-focused) Meatmen series of graphic novels. The contents of Gay Comix were generally about relationships, personal experiences, and humor, rather than sex. Gay Comix also served as a source for information about non-mainstream LGBT-themed comics and events. Autobiographical themes include falling in love, coming out, repression, and sex. Much of the early content was autobiographical, but more diverse themes were explored in later editions. Created by Howard Cruse, Gay Comix featured the work of primarily gay and lesbian cartoonists. Gay Comix (later spelled Gay Comics) is an underground comics series published from 1980–1998.